Sound Setups: Three Great Audiophile Listening Rooms
Three different rooms with similar goals: music enjoyment
This audio component rack is the centerpiece of an audiophile’s listening room, and keeps all the equipment easily accessible.
November 29, 2012 by Lisa Montgomery

DIGITAL, STREAMING AND THE INTERNET: They’ve all contributed to a resurrection of music listening. With so much audio at your fingertips, it’s natural that you’ll want to spend more time surrounded by your favorite tunes. This can happen through earbuds, streamed through the speakers of your home theater setup or played right from your computer. And the more time you spend listening, the more you’ll come to appreciate the subtle nuances of audio reproduction. You’ll start to savor the instrumentation of a particular classic and begin to understand the lyrics of a hip-hop tune you just discovered. What you’ll also likely discover is that nothing beats a two-channel audio system for producing the purest, clearest playback of any type of entertainment setup.

The Environment

We’ve been taught that for the best viewing experience, a dedicated theater should be dark, isolated from the rest of the house and be of a certain shape and size. The rules are a much looser for listening rooms, says Craig Abplanalp, vice president of Definitive Audio, a custom A/V design and installation firm in Seattle and Bellevue, Wash. Sure, hardcore audiophiles might want to sequester their equipment in a room that’s been professionally engineered with acoustical treatments and accoutered with finely calibrated components, but this intense level of design really isn’t necessary to have a great listening environment, adds custom electronics (CE) professional Andres Sauceda of Hanson Audio Video in Kettering, Ohio. In fact, rooms you already use for other purposes, like the family room or den, can function admirably as a listening space. It just depends on your expectations, your budget and how you like to listen.

“If [serious music listening] is something you plan on doing frequently, or if you want to be by yourself and play the music loudly and feel as if you’re sitting in the front row of Carnegie Hall, you may want to dedicate a room solely for music listening, Sauceda says. “On the other hand, if you like to share your music with others, you’ll probably get more enjoyment from a two-channel audio system that’s been incorporated into the family room.” Adds Abplanalp: “While the room environment will definitely have some impact on the sound from an audio system, normally appointed living spaces, which usually have a mix of hard and soft materials, won’t have an ill-effect on the music. It’s only if the room is covered in glass and marble that you’ll have a hard time getting the audio system to cooperate.” But even this isn’t impossible, given the sophisticated calibration technologies being built into many audio products today, as well as a wide variety of attractive acoustical wall and ceiling treatments that can be added to a room for improved sonic performance. For example, many receivers come with a microphone and graphing software intended to help you find the appropriate placement for the left and right speakers. Often, this software is designed for use by do-it-yourselfers. To get the room perfectly tuned, though, it’s best to bring in a professional. A custom electronics (CE) professional comes armed with an arsenal of devices to calculate not only the proper speaker placement, but where to install acoustical treatments and how to set up the receiver to compensate for a room’s sonic imperfections.

Really, though, audio performance all boils down to the equipment, and according to both Abplanalp and Sauceda, you can get incredible sound without having to spend a whole lot. And because stereo components have great resale value, you can start with a modest investment of $500 for a pair of speakers, sell them a few years down the road for almost as much as you spent on them originally, and invest in a pair of more expensive, higher-performance speakers. The same goes for the two-channel stereo receiver, the preamp and the amps you’ll also need for your system.
Unlike video technologies that seemingly become outdated overnight, audio components are blessed with long life expectancies. “A home theater receiver has a shelf life of about nine months; for a stereo receiver it’s seven years,” says Sauceda. This means that you don’t have to worry about the equipment you invest in today becoming obsolete quickly. If it sounds good today, it will sound good years from now. However, once you get hooked, it’s hard not to want to update, says Douglas Acker, whose been building out his two-channel audio system for seven years (see his listening room after the break).

Follow Electronic House on Facebook and Twitter.

Lisa Montgomery - Contributing Writer
Lisa Montgomery has been writing about home technology for 15 years, with a focus on the impact of electronics on a modern lifestyle.

FREE Charter Platinum Membership
Claim your FREE Charter Platinum Membership to EH Network and receive 6 FREE issues of EH Magazine.*
First Name
Last Name
Email Address

We understand your email address is private. By granting you access to the EH Network, you agree to receive email communications from us, including our newsletters. You can manage your subscription at any time in the future.
* The new EH Network launches and your free subscription begins December 2014.


Commenting is not available in this weblog entry.