I really want to believe in High-Definition Multimedia Interface (HDMI). I really do.
Uncompressed digital streams, unified component interoperability, and a reduction in the bird’s nest of cables that make up A/V systems are all things that warm hearts of custom designers, installers and high performance enthusiasts. But based on my experience and the horror stories I hear everyday from countless custom installers around the world, all is not well.
The problems with HDMI are numerous and have to do primarily with technical factors revolving around Digital Rights Management (DRM), High-bandwidth Digital Content Protection (HDCP) specifications, and something you’re going to be hearing a lot more about in the next few years: Image Constraint Tokens.
What prompted my rant this week is the simple act of taking the HDMI output from one HD DVD player and sending its video signal to two displays: in this case two high-def video projectors. This had me and a bunch of industry vets flummoxed last weekend while at the Electronic House Expo (Disclosure: EHX is run by ElectronicHouse.com’s parent company, EH Publishing).
We tried using a couple of different HDMI splitters from Gefen—one of the growing number of cottage industry suppliers making little “black boxes” for just such a common application. But alas, our plan for a really cool but simple side-by-side demo of 720p vs 1080p projectors went down in flames. Even the guys from Gefen couldn’t figure it out. We could get one side of the splitter to work, but not the other simultaneously. We could reverse the whole set up and get the other side to work but not the first. Uff dah! So we resorted to using two identical sources with two of the same HD DVDs to do the comparison. The horror.
This type of application should be routine; one that theoretically should take place in millions of homes everyday with one HD DVD player and two plasmas or one plasma and one projector.
My inability to make this simple distribution of one HDMI signal to two outputs is backed by the frustration I often hear from installers. So what’s an installer to do? Well, they run old-school analog component video cables and hope for the best. But the dirty little secret is that their clients see something that looks like an HD picture, but it’s certainly not as good as it can be. And once Image Constraint Tokens are switched on in 2010 or 2012 (they’re already inside many new DVD players, waiting like little time bombs) then these unfortunate consumers are likely to be receiving an even lower down-rezed picture.
I’m also disappointed with the HDMI connector. Unlike DVI cables that connect sources to computer monitors and projectors with lock-down thumb screws, the current HDMI connector design for A/V use has no such provision. It can easily be knocked out or fall out of its socket when you don’t plan for adequate strain relief.
In addition, there are no A/V preamp processors or A/V receivers on the market that can adequately switch and route the full capability of the current version of HDMI (1.3). Could it be that the manufacturers are having the same problem I ran into last weekend?
With HDMI 1.3, the HDMI cable carries full high-def video, full bandwidth multi-channel audio, as well as command sets and low-voltage power for sources. HDMI 1.3 supports output of Dolby TrueHD and DTS-HD Master Audio streams for external decoding by A/V receivers. TrueHD and DTS-HD are lossless audio codec formats used on HD DVDs and Blu-ray discs.
While there were all sorts of announcements made by suppliers last year about being able to finally switch to HDMI 1.3, there hasn’t been any appreciable deliveries as of yet. And that has system designers hurrying up and waiting. So I ask again: What’s an installer to do? None that I’ve spoken to feel like they can trust HDMI for anything more than direct from source to display video connections right now. Audio connections for the foreseeable future will remain in the analog cable domain for multi-channel HD audio and digital coaxial or toslink fiber for DVD and TV audio. This keeps the cost and installation complexity of A/V and home theater higher than it needs to be—and it’s keeping more people from enjoying this wonderful technology.
The current state of HDMI puts dealers and designers in the unfortunate situation of either knowingly or unknowingly delivering less than what the client paid for. Neither is good. So make sure you are doing business with a professional who knows that the compromises he may have to make to get your system up and running today aren’t forgotten about once this whole transition to HDMI gets sorted out.
Arm yourself with knowledge, but certainly don’t wait to buy. There’s too much fun and entertainment that awaits you.
Good listening and viewing!
John Caldwell is a 28-year grizzled veteran of the A/V business
and co-founder of StJohn Group, Inc.

Well… While HDMI does still have it’s quirks, I can’t see how a player putting out one resolution is the cables fault. You can’t put out a 1080p source to a 720p display. It won’t display it.
I picked up a new receiver after my old one was damaged in repair. A new Harman Kardon with HDMI. I hooked it up to my TV’s DVI input and it only works about 1/4 of the time because, as far as I can tell, the handshake for HDCP kills the video. So I can’t use the upscalerthat I payed extra for in the first place. I refuse to buy a brand new TV just to get a new connector that passes the exact same info the DVI does. What a rip-off.
Image Constraint Tokens are another reason to avoid Blu Ray and HDDVD and just get a proper external scaler.
Why HDMI in the first place? The broadcast industry has a reliable single coaxial cable standard called SMPTE 292 or “HDSDI” This single coaxial cable can also carry sixteen channels of digital audio along. It uses standardd BNC connectors! Now the HDMI proponents will claim it’s too expensine an interface for the consumer market. However the circuit level hardware is actually simpler than HDMI / DVI and with the manufacturing economics of consumer electronics it would actually be cheaper - for both the consumer and the professional user.
HDSDI is also a true single bit stream transmission technology. Both DVI and HDMI are quasi serial interfaces in that they send parallel streams of RGB plus a clock signal. This invites timing errors between the signals and is the principal cause of HDMI / DVI enxtesion problems. HDSDI can travel over 300 feet on RG6 cable! Try that with HDMI!
Now there is a hitch. HDSDI is a one way link. It is not bidirectional. So you could not do handshaking but then isn’t scrambling the bit stream enough? If not the Digital Cinema specification uses HDSDI but also a simple CAT5 ethernet link for handshake. I can see the need to protect first run cinema grade digital content but any consumer copy protection scheme that requires handshaking is doomed to problems throughout it’s life.
My point is the broadcast industry has had a highly reliable digital HD distribution system for many years. It is also a SMPTE standard. Why can’t the consumer electronics industry heed the expereince of the professionals instead of the “NIH” approach. What’s really silly is that most broadcast equipment manufactures are also the largest consumer electronics manufactures - Sony, Panasonic, JVC, Thomsom (RCA), etc.
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“You can’t put out a 1080p source to a 720p display. It won’t display it. ” Errr—It’s done all the time via the use of a scaler—either internal or external to the display device.